Counting All the Stars

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If you know me, you know that I am a retired teacher. I taught little ones for 38 years. Loved it. After that I turned to writing fiction. I've finished three manuscripts and have been pitching them like crazy. No luck so far. But I'm compelled to continue writing. In between trying to find an agent or a publisher, I've been working on my fourth book. This one is a supernatural thriller. Far different from the other three. 

Here's the first chapter of the new one tentatively called Counting All the Stars. I'd love to know what you think. 

One

Saturday, June 9, 1973

“Stop the car, Liam,” Sean Byrne says in a small voice, an insistent voice, a voice that means he won’t take no for an answer. 

“Just a second.” Liam knows better than to argue. He checks his mirrors and pulls off 57th Avenue deep into the brambles at the side of the road. He pops out the flasher button on the old Chevy station wagon as Sean, not waiting for the car to come to a stop, opens the passenger door and bails out into the wild raspberry vines, heedless of the wicked, hooked thorns ranging across the verge.

Liam throws it into park and hustles to where his Sean sits cross legged on the dusty roadside, something bundled into his lap. “What is it, buddy?”

Sean keens and rocks, his eyes squeezed tightly shut. It reminds Liam of when Sean was a baby, when he rocked and bumped his head against the door over and over. Just the front door, nowhere else.

Liam kneels in the roadside rubble, cinders digging into his knees. Sean opens his eyes and stares into the eyes of a large black and white cat across his lap. No collar, ragged ears, skin and bones. One of its back legs is broken, crushed really, a cracked femur poking out through its skin and fur. Blood oozes from its nose. The cat still breathes—its eyes glazed and unfocused, dusted with road grit.

Most ten-year-olds are self-conscious of their tears. Not Sean. He cries as if he’s lost his best friend. 

Drivers, often heedless of the 35 mile per hour speed limit on this stretch of 57th, fly by in what serves as Merrillville, Indiana’s rush hour. Liam eyes the oncoming traffic. He’s parked off the road but close to it. He’s only been driving without a grownup for about a week. He’s a decent driver, but lack of experience makes him a cautious one. “We can take him to the Crossroads Pet Hospital, Sean. They might be able to save him.”

Sean gazes into the cat’s eyes which are undirected and seem to look far away. “It’s a female. She’s dying. It would take 14 minutes to drive there. She only has a minute, maybe two.”

Liam forgets the cars driving too quickly just a few feet away. He plunks down beside his ten-year-old brother and puts a comforting arm around his shoulders. Sean rarely lets anyone else touch him.  At least not on purpose. “What’s she telling you, Buddy?”

“She has a litter. It’s in the spook house in Maysack’s Woods.”

Only then does Liam notice the teats on the dying feline. “What else?”

“She was hungry.” Sean’s voice is monotone, like he’s translating a foreign language into English, like he’s in a trance. “She’d been with the kittens and hadn’t eaten in two days. She left them to… forage.” Sean’s eyes are still locked on the big mama cat’s. Blood trickles from her snout onto Sean’s leg, already crisscrossed with raspberry bramble scratches. Some are bleeding. But not bad. He wears cutoff jeans. He doesn’t care about the blood. He touches her head tenderly. “She was chasing… a rabbit. That’s all she remembers. She’s… leaving now.”

Liam doesn’t ask how Sean understands these things. He simply does. Liam doesn’t ask if Sean is sure. He is. Liam has witnessed Sean’s ability to read into the lives of others since Sean was a toddler. They never talk about how it happens. Fact is, Liam doesn’t talk about Sean’s ability with anyone. Sean never said not to. Liam simply understands that Sean is already considered peculiar. Sean’s tears roll down his cheeks, which makes Liam start to leak as well. Seventeen is definitely too old to cry in public. Right now, Liam doesn’t give a shit. 

Sean’s voice is emotionless. “She’s… worried about her litter. There are four alive. They’re in the living room near the fireplace. It smells like mold, like rotting wood and leaves. There are broken windows. It’s wet there.” There are droplets of milk on the dying cat’s teats and more frothy blood oozes from her nostrils. 

Sean’s silent tears trickle down his cheeks and chin, some falling onto the raggedy feral cat. The boys have been raised Catholic, go to Catholic school, have spent many mornings serving ad altar boys in Mass. Liam considers Sean’s tears almost essentially a baptism. Or the one Catholic sacrament no one wants to think of, extreme unction—last rights.

For a moment the cat’s eyes lock on Sean’s. There is a fleeting knowing, a recognition, a kinship. Then, those eyes with their bright green irises and vertical slits lose their luster. The eyes dilate and the cat’s body shudders then relaxes. Blood stops drizzling from its snout. 

“We’ll bury her here.” Sean lays the cat on the ground tenderly. “My scout shovel’s in the trunk.”

Liam gets the keys without question.

Sean does the digging with the small fold-out shovel. The ground is sun-dry-hard and chock full of rocks. Cars scream past. A big rig blares its horn at them which makes Liam flinch. Sean, normally sensitive to loud sounds, doesn’t register the shattering reverberation. His mind is still with the cat.

When they finish, Sean drips sweat, his shirt sticking to his back. “We have to go to the spook house.”

“I know,” says Liam. 

“There’re four kittens by the fireplace.” 

Liam has no doubt. 

The kittens are exactly where Sean described them. Eyes still closed; their mews faint and weak. One has died since they found the mama beside 57th Avenue, since the mama remembered them and shared that memory with Sean. There are more tears. They leave the spook house in Maysack’s Woods with three puny, bloody kittens barely clinging to life rolled up in Sean’s t-shirt. He walks into the house on Adam’s Court bare-chested. 

Only one kitten lives to the next morning. 

Sean names her Maxine. 

 

"There is Music" and "Where I'm From"

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There Is Music

There is food

           There is water

                   There is air

                           There is music

I heard a tune

In the wind-chime

Familiar, yet elusive

If only I'd had my guitar

Perhaps I could have 

Snatched that phrase

And stretched it

Polished it

Riffed it

Smoothed it

Drawn it out

And searched its meaning

The energized mockingbird

Couldn't seem 

To get locked in

So it kept on singing

And riffing

And mocking

And teasing

Almost there

Not quite right

Another direction

A different idea

An exercise in theme and variation

Here’s a personal variation on George Ella Lyon’s 

“Where I’m From”

I am from Ruck and Jack and a house full of playmates

From backyard games and kick-the-can nights

I am from too hot sand and too cold Lake Michigan water

That greeted you like an old friend, but would kill you if you weren’t careful

I am from beach bonfires and smoke in my eyes

From silly birthday songs and Billy Krump’s candle

I’m from Saturday morning cartoons and merciless teasing

From sitting on warm floor vents on cold winter days

I’m from penny candy and walking home from school

And the too fast cars going down 57th Avenue

I am from Maysack’s Woods and thirsty mosquitos

From hand-me-downs and help-me-ups

I am from show tunes played on the hi-fi

From Zero Mostel and Carol Channing

I am from giant pots of spaghetti 

And hot watermelon afternoons

I am from hippies and peace signs

And “Hell no we won’t go!”

From the Chicago Democratic convention 

And black and white TV

I am from neckties and daily mass

From asphalt playgrounds and confession

I am from altar boys and CYO band

From Biddy Basketball and Kadar’s driveway

I am from Michigan City summers and 

Wearing nothing but shorts all day

From sunburned shoulders and peeling noses

From fishbones in my feet and treehouses

I am from dune grass and blinding sunsets

From giggling bedtimes and “hush up in there”

From trains in the distance 

From drive-in movies 

From moonlight on my blanket

I am from a mess of brothers and sisters 

Best friends

I am from love

A Couple Poems

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Here are a few poems written over the last couple years. 

(Inspired by I Love You the Purplest, by Barbara Joose)

Heidi, I love you the pale greenest

the color of spring touching the forest at the tips of the branches

the color of your eyes when we first met among the coeds, that dormitory food, the spring of the bicentennial year, so long ago and so many memories away

I love you the color of centipede grass, of honeysuckle vines, of new cana lily leaves uncurling

I love you the cool color of jade, of the praying mantis, of shamrocks, of moss in forest crevices

I love you the green of an anole when it’s mellow, of a green tree frog in a curled banana leaf

Our first hug in the morning and the last whisper of love at night

Heidi, I love you the pale greenest

How is Your Heart?

A friend of mine asked me—"How is your heart?"

It caught me off guard

Hardly knew where to start

There's laughter and springtime

And loved ones and art

But children are hiding 

From bombs they call "smart"

There's flirting and romance

And families torn apart

There's dancing and loving

And death tolls on charts

A friend of mine asked me—"How is your heart?"

It caught me off guard

Hardly knew where to start

The River

(Maybe not a poem. Just musings.)

He looked out over the space that had become so sacred—those trees, now showering leaves of amber, ochre, crimson, the cabin itself, rustic, smelling of earth, and wood and simplicity. Most especially the river. Would he ever return? Would he walk the muddy bank, smell the freshness, bathe his face in the foggy mist, feel the beloved rocks beneath his feet? 

He was already years older than his own father at his passing. Would the opportunity present itself? Travel, relationships, health… life. There were many obstacles between this encounter with the river and future visits.

He gazed one final time at the mist rising from this water rushing ever onward to the sea. He looked through the sun-drenched leaves, smelled the funky still waters cut off from the flow by recent drought, felt a kinship with the hickory, walnut, and oak. There was the distant aroma of skunk, of manure from the horse pasture. He watched whirligigs and water striders in the small eddies behind the rocks, and a trout hiding furtively under a ledge waiting for the inevitable shiner. 

Would he live to stand in this space, to feel the river’s breath once again?

Tears cooled his cheeks as he climbed the bluff and walked into his tomorrows.